IT takes Years to build true Worm Castings,not a month. Our Worm Castings take 5 years. It is critical what is used in the process. No GMO GRAINS,NO NEWS PAPER,NO CARDBOARD,NO SOURCE THAT HAS Pesticides,Herbicides,or fungicide. NO MANURE FROM ANY SOURCE THAT USE ANY COMMERCIAL FEED,NO HORSE STABLE MANURE ,FOR THEY USE MEDICATION IN WORMING THE HORSES,(WITH ALMOST 99% DO).
GOOGLE CARDBOARD DANGERS,GOOGLE HONGKONGWILLIE WORM CASTINGS
True Worm Castings,NO CARDBOARD,NO NEWS PAPER,NO GMO FEED(PURINA WORM CHOW,NO GMO CORN,NO SOY BEAN MEAL) ASK WHY ALL HAS BEEN SPRAY WITH ROUND UP.
NO INVASIVE EGGS FROM INVASIVE WORMS SUCH AS( African Night Crawlers Red Wigglers,European Red Wigglers Worm ,Eisenia foetida Red Wigglers MOST FARMS IF NOT ALL RAISE INVASIVE WORMS,have proven to displace native vegetation, also have been known to upset the delicate balance of the hardwood forests by consuming the leaf litter too quickly. cause natural impact on the environment. As noted all do not come from Florida.
5 Gallon Buckets aprox 35 lbs ,We put in Burlap Bags when you buy. $20.00
Our Address is 12212 Morris Bridge Rd Tampa Florida 33637. Look for us at I 75 Exit 266 Tampa
813 770 4794
We compost material that has not been exposed to pesticides,herbicides,fertilizers,growth Hormones,and animal medications .
What you put in is what you get out. We do not Vermicompost grains,newspaper,cardboard,or grass clipping that have been sprayed. It is important with Vermicompting with a Native Red Worm to Florida. We have found in 51 years of Vermicomposting that toxins build up if you use contaminated material. Grains ,Lawn clippings,vegetable mater from commercial growing operations or Lawns carry excessive amounts of Pesticides,Herbicides which in turn kill the composting Worms.We find that manure from large dairy farms could have antibiotics or growth hormones. When obtaining any compost from animal manure such as cows ,horses, rabbits remember most people medicate and this comes out in the manure. It important to get live microbes when buying Worm Castings. The amount of moisture is very important. Dry Worm Castings has less microbes. Fresh Compost with a fair amount of moisture is full of life.
To buy Worm Castings call 813 770 4794,or email email@example.com
Thank you for your interest in Florida Compost Worms. We are a Company that specializing in a native Compost worms to the U.S. Vermicomposting with native Compost Worms is a safe composting approach. Red Worms are great for turning your food left overs into compost.
We Sell by size of compost worm,which are large. On the average is 350 compost worms to a pound. The reason why we don’t ship by thousands or use this term is because it can be confusing. To explain, a thousand grains of sand is one thing, or a pound of sand is a something else.When ordering compost worms by the thousand expect worm size to be smaller than a needle. Selling large worms which are like a chicken ready to lay eggs and stress less.
Our compost Worm Farm Started in 1965. Any question call 813 770 4794.
In Florida Hongkongwillie Composting worm Farm sells a Native Red Worm to Florida. This worm is is part of a solution for eliminating part of your waste going to landfills around Florida. Vermicomposting is the process of using worms and micro-organisms to turn kitchen waste into a black, earthy-smelling, nutrient-rich humus. This possess is a inexpensive way to compost and in return organic matter into rich soil. People in Tampa interested in composting have visited Hongkongwillie worm Farm for over 30 years. Hong Kong Willie worm Farm in Tampa started in 1965,from Hongkongwillie living on a landfill as a child in Tampa on Gunn Hwy. This making a large impact on his life. Composting with worms can reduce a large amount of our waste that go to Landfills. .
We are a small reuse company , please Google the story of Hongkongwillie.
We sell a Florida Red Worm that is native to Florida.
Worm Farm Started in 1965.Compost Worms Red Worms
Night crawlers). Their voracious appetites and reproductive rates
(Eisenia foetida, or”European Night crawlers) have been known to upset
the delicate balance of
the hardwood forests by consuming the leaf litter too quickly. cause
natural impact on the environment.
Eisenia foetida, or”European Night crawlers.”are non native worms,This is why we
with any non-native species, it is important not to allow them to reach the wild. Their voracious appetites and reproductive rates (especially among the red wigglers) have been known to upset the delicate balance of the hardwood forests by consuming the leaf litter too quickly. This event leaves too little leaf letter to slowly incubate the hard shelled nuts and leads to excessive erosion as well as negatively affecting the pH of the soil. So, do your best to keep them confined!
Eisenia fetida, known under various common names, including redworms, brandling worms, tiger worms and red wiggler worms, are a species of earthworm adapted to decaying organic material. They thrive in rotting vegetation, compost, and manure; they are epigeal. They are rarely found in soil, instead like Lumbricus rubellus they prefer conditions where other worms cannot survive. They are used for vermicomposting. They are native to Europe, but have been introduced (both intentionally and unintentionally) to every other continent except Antarctica, occasionally threatening native species.
Red Worms Tampa
Hongkongwillie On MY FOX TAMPA BAY
The Story Behind the Eye-Catching Art at I-75 Exit 266 Tampa Florida
transforming a Gerber baby bottle into a piece of art.“The Gerber bottle had no intrinsic value at all,” he said. “But when
(the instructor) got through with me that day, she made me see how
something so (valueless) can be valuable.”By the time class was over, Brown learned many other lessons, too,
such as the importance of volunteerism, recycling, reuse and giving back
to the community. He recalled being impressed by the teacher’s
volunteer work in Hiroshima, Japan, helping atomic bomb survivors.”One of the last words she ever spoke to me about that was, ‘When I
left, I left out of Hong Kong,’ ” he said. After turning that over in
his young brain for awhile, he decided to use it in a nickname, adding
the name “Willie” a year later.You’ve probably seen Hong Kong Willie’s eye-catching
home/gallery/studio at Fletcher Avenue and Interstate 75. But what is
the story of the man behind all those buoys and discarded objects turned
into art?Brown practiced his creative skills through his younger years. But as
an adult, he managed to amass a small fortune working in the materials
management industry. By the the ’80s, he left the business world and
decided to concentrate on his art. He spent some years in the Florida
Keys honing his craft and building his reputation as a folk artist. He
also bought some land in Tampa near Morris Bridge Road and Fletcher
Avenue where he and his family still call home.Brown purchased the land just after the entrances and exits to I-75
were built. He said he was once offered more than $1 million for the
land by a restaurant. He turned it down, he said, preferring instead to
make part of the property into a studio and gallery for the creations he
and his family put together.And all of it is made of what most people would consider “trash.”
Pieces of driftwood, burlap bags, doll heads, rope — anything that comes
Brown’s way becomes part of his vocabulary of expression, and, in turn,
becomes something else, which makes a tour of his property somewhat of a
visual adventure. What at first seems like a random menagerie of glass,
driftwood and pottery suddenly comes together in one’s brain to form
something completely different. One moment nothing, the next a powerful
statement about 9/11.One Man’s Trash …Trash? There is no such thing, Brown seems to say through his art.He keeps a blog about his art at hongkongwillie.blogspot.com. He also sells his creations through the Website Etsy.com.In his shop, he has fashioned many smaller items out of driftwood,
burlap bags and other materials into signs, purses, totes, bird feeder
hangars and yard sculptures.He sells a lot to the regular influx of University of South Florida
parents and students every year who are are at first intrigued by the
“buoy tree” and the odd-looking building they see as they take Exit 266
off I-75.Brown Sells More Than ArtOf course, the real locals know Brown’s place for the quality of his worms.If there’s one thing that Brown knows does well in the ground, it’s
the Florida redworm, something he enthusiastically promotes, selling the
indigenous species to customers for use in their compost piles. Some of
his customers say his worms are just as good at the end of a fishing
hook, though.“To be honest, what made me come here is that they had scriptures on
the top of his bait cans,” said customer John Brin. “Plus, they have
good service. They’re nice and they’re kind, and they treat you like
family.”Though Brin knows Brown sells them mostly for composting, he said
they are great for catching blue gill, sand perch and other local
favorites. He also added that he likes getting his worms from Brown
“because his bait stays alive longer than any other baits I’ve used.”For prices and amounts, he has another blog dedicated just to worms.Of course, many people also stop by to buy the smaller pieces of art
that he and his family create: purses made of burlap, welcome signs made
of driftwood, planters and other items lining the walls of his store.He’s also helped put his mark on the decor of local establishments too, such as Gaspar’s Patio, 8448 N. 56th st.Owner Jimmy Ciaccio said that when it came time to redecorate the
restaurant several years ago, there was only one person to call for the
assignment, and that was his good friend Brown.”I’ve known Joe all my life, and we always had a good chemistry
together,” Ciaccio said. “He’s very creative and fun to be around, and
that’s how it all came about.”Ciaccio says he still gets compliments all the time for the
restaurant’s atmosphere he created using the “trash” supplied by Brown.
He describes the style as a day at the beach, like a visit to Old Key
West. “They’re so inspired, they want to decorate their own homes this
way,” he said.It’s that kind of testimony that makes Brown feel good, knowing that
others, too, are inspired to create instead of throw away when they see
his work. He simply lets his work speak for itself.“Somebody once told me to keep telling the story and they will keep coming,” he said, “and they always do.”Florida, Florida Focus,Fletcher and 75
By Kerry Schofield
year was 1958. Joe Brown, 8, lived next to a county dump site in Tampa,
Fla. Brown found old junk, fixed it up and sold it. Brown knew he had a
higher calling in life — he was destined to be an artist.
is as colorful as the gallery — he wears a bright tropical shirt with
red, white and blue plaid shorts. Patrons tell him they can smell the
salt water when they drive up. The gallery, however, is perched inland
near Morris Bridge Road and Interstate 75 where a rusty-hair hen named
Fred, first thought to be a rooster, patrols the property. Fred,
abandoned five years ago by tourists, trots between the gallery and
adjacent hotel leaving a trail of droppings behind her.
lived on the Gunn Highway Landfill from 1958 to 1963. The Hillsborough
County landfill operated for four years and was closed in 1962. “It was
astounding how quick they could fill the 15 acres in pits that were
enormous,” Brown said.
apartment complex now sits on top of the old landfill. A report by the
Florida Department of Environmental Protection indicated that a lining
was placed underneath the complex when it was built to block methane gas from leaking. The gas is a byproduct of rotting garbage.
lived on his father’s dairy and beef farm. Brown said during heavy
rain, the low land on the farm flooded the neighboring Gunn Highway. In
1957, Hillsborough County officials offered to elevate the low land to
stop the flooding by turning it into a landfill. When the property was
sold in 1984 by Brown’s father, soil testing revealed heaps of old paper
and punctured cans of spray paint.
dug up and took out newspapers like the day they were put in,” Brown
said. “It reminded me of nuclear bombs that were going to go off. They
dumped everything in the landfill.”
a child, Brown foraged at nearby dumpsters. County workers saved junk
for him that people dropped off. One day, Brown’s parents got a call
from his elementary school teacher and told them that Brown had $100 in
his pocket and that he must be stealing.
picked up the saved junk after school and turned it into something new.
Contrary to his elementary school teacher’s accusation, he wasn’t a
thief after all. Instead he was a young entrepreneur who sold other
Brown’s mother wanted him to pursue his talents and dreams, not money.
But he developed a business sense during his young junk collecting days
and told his mother, “I’m not going to be an artist. I’ve read that
artists starve to death.”
mother became concerned. He said his mother knew “the value of
happiness and the travels of life” and sent him to a summer art class.
art teacher inspired awe in Brown. She taught him how to reuse baby
food jars by melting the glass and adding marbles to the mix to create
paper weights. The teacher had traveled to Hong Kong, China and
Hiroshima, Japan after World War II. She saw how people were forced to
recycle and reuse items out of necessity after the war. This left an
impression on Brown.
was at this time that he personified the name Hong Kong Willie, which
harkens back to China where the mass production of merchandise occurs.
The “Willies” are people like Brown and other environmentalists who try
to reuse trash instead of throwing it into landfills.
high school, Brown went to college to study business but dropped out
after three years. He worked in the material handling industry until
1981. Although Brown had achieved a successful career and lifestyle, he
had become discouraged in 1979.
had been diagnosed with depression in 1973, a condition that was caused
from high fructose intake and that lasted for more than four years.
1985, Brown and his artist wife, Kim, bought the half-acre property off
Fletcher Avenue and Morris Bridge Road. For two decades the two small
wooden shacks, built around 1965, that now house the gallery operated as
a bait and tackle shop.
Brown raises and sells worms by the pound mainly for composting. He
recycled 250 thousand pounds in the worm bed in 2009. Brown still sells
the worms for $3.50 a cup for fishing.
1981, Brown resurrected the Hong Kong Willie name from his childhood
art class. In the early 1980s, both he and his wife, Kim, began
upcycling trash into art. Brown entered another world when he left his
mainstream lifestyle behind — he joined the art scene and booked rock
bands at the same time.
Brown family spent half their time in Tampa and the other half in a
small home on Boot Key Harbor in Marathon. Brown gained the reputation
of the Key West lobster buoy artist.
in Key West, Brown became friends with local fishermen. He and others
organized efforts to clean up plastic foam buoys that had collected in
the waterways from years of fishing.
Earth Resource Foundation reports that plastic foam is dumped into the
environment. It breaks up into pieces and chokes animals by clogging
their digestive system.
sells the buoys from the Hong Kong Willie Art Gallery for $2.00 a
piece. He said he has sold from 30 to 40 thousand buoys in the last ten
years. Some of the buoys are more than 50 years old and are collected by
tourists from China and Japan.
you go to the Keys right now and you see a buoy floating, you’ll see
someone slam on the brakes to get it,” Brown said. “They’re the most
prized buoys of the world.”
made a holiday buoy tree 12 years ago from the Key West buoys. Hundreds
of buoys are strung on rope and wrapped around a utility pole next to
the gallery. Brown hopes the novelty of the buoy tree will inspire and
stimulate children to find new ways to reduce, reuse and recycle
Kate Shoup’s “Rubbish! Reuse Your Refuse,” the author said much of what
we get is designed to be scrapped after only a few uses. We easily
throw away pens, lighters, razors and dozens of other items. Shoup said
Americans consume 2 million plastic drink bottles every 5 minutes.
Brown finds uses for items that would otherwise end up in a landfill.
He buys used burlap bags from coffee and peanut producers. He sells them
to the U.S. National Forestry Service for the collection of pine seeds
and Samuel Adams for hops production.
also an artist, paints fish, turtles, crows, parrots and the like on
driftwood and on wood that Brown has salvaged from saw mills and from
old buildings in Key West.
said art is viewed and appreciated by certain people. “If it all came
out the same, it would be like bland grits all the time,” Brown said. He
likes to refer to the gallery art as reused rather than recycled, which
takes waste and turns it into an inferior product. Reuse on the other
hand involves remaking an item and using it again for the same intended
also try to stay away from imprinting a definite use for a definite
item,” Brown said. He explains that 2-liter bottles are not limited to
making bird feeders. The bottles can be used for art and craft projects
working on a feature story about Hong Kong Willie aka Joe Brown and
family who are reuse artists. I recently spent some time interviewing Joe Brown at his studio in Tampa, Fla. We had a pleasant talk about his
working gallery. We sat outside and there was a nice breeze, although it
was a warm sunny day still here in Florida. Join me in the midst of
writing the story. I took a few pictures to share with you. Enjoy.
View photographs of the Hong Kong Willie art gallery
TAMPA, Fla. – Have you ever seen the building on the corner of
Fletcher and I-75 with a bunch of buoys strung everywhere? This small
business that many think is an old bait n’ tackle shop is actually Hong
Derek Brown, 26, and his family own and operate Hong Kong Willie.
The little shop specializes in preservation art. The artists don’t take
preservation too lightly either.
“99 percent of everything that has gone into a piece of art has been recycled and reused,” Brown said.
Just as unique as the art is, so is the company’s name. Brown says
the name was created by his father, Joe Brown, in the 1950s.
“My father being in an art class, being affected by a teacher, they
were melting Gerber baby food bottles,” Brown said. “The teacher
interjected that Hong Kong had a great reuse and recycling program even
Brown’s father then took that concept and later added the
Americanized name Willie to the end. And that’s how Hong Kong Willie
was born as a location that offers recycling in a different and
Hong Kong Willie artists are what are known as freegans. Freegans
are less concerned with materialistic things and more concerned about
reducing consumption to lessen the footprint humans leave on this
“I’m sure everyone has their own perception of a freegan, possibly
jumping into a dumpster or picking up something on the side of the
road,” Brown said. “There [are] people who will have excess. There
[are] also things that can be trash to one man, but art or a prize to
Brown and his family carry this practice through to their art. It’s
his family’s way of life, turning trash, which would otherwise fill up
landfills, into an art form.
The Brown family gets a lot of their inspiration for their art from
the Florida Keys. In fact, this is where the deluge of buoys wrapping
around the ‘Buoys Tree’ came from, the fishermen of Key West.
“It is Styrofoam, we understand that it does not degrade, but to
blame the fishermen for their livelihood wouldn’t be correct, instead
we find a usage for those,” Brown said.
Brown said there’s a usage for everything, even the hooks to hold
the painted driftwood, which are also salvaged, to the wall are old
bent forks. Everything’s reused here. Purses made out of old coffee
bean sacks to “kitschy,” as Brown described it, jewelry made from old
“Hong Kong Willie truly believes that a piece, whether it’s a bag or a painted artwork, it’s meant for one person.”